Wednesday, 19 October 2016

"A Coming Of Age" By Stuart Harris

I have been quietly working away on a lovely project for an angling book that is now ready to be published in the next month and available on pre order now. It is available from ‘The Little Egret Press’, which is a small bespoke angling publication company that specialises in limited edition books and exquisite leather bindings! It has been anything but work and something I feel grateful to have been involved with, enjoying every minute reading each enchanting chapter, and trying to link my artwork with the wonderful written words. The aim has been to ensure the reader gains a visual connection throughout the book, which I feel, is an important link.

You may not have not heard of Stu who carries the pseudonym ‘The Sweetcorn Kid’; his real name is Stuart Harris and this is his second book. Stu’s first book is ‘From Carbon to Cane’ and it’s a fantastic read in itself, highlighting that angling enjoyment can be found by returning to basics, in other words, leaving the mountain of modern day tackle behind! The book reveals that angling is so much more than just catching fish - for Stu it was a pilgrimage that led to reverting back to tackle used more than 50 years ago, and through this journey, becoming the angler he is today. His second publication ‘A Coming of Age’ is based on a full season diary of events, fishing all manner of venues from the Legendary Redmire Pool, to far more discreet venues that in some ways are even more mysterious and exciting than Redmire itself. Stu is a very accomplished all-round angler, more than happy fishing the pin and cane for monstrous Gudgeon, chasing dark, scaly shadows that inhabit ‘The Moat’, or summer days float fishing for the most ancient of Crucian Carp, winter Grayling and spring Tench....the list goes on!

For better and worse, angling has changed significantly over the last 10 years and it's becoming increasingly more difficult to find natural venues, unspoilt by the passage of human feet and interference...hence the inspiration for this book....and like the ‘Chronicles of Narnia’ it contains tales that take you on an enchanting journey into another world. You flit from one venue to the next and become immersed in the underwater world of angling, along with wildlife that most anglers have the privilege to enjoy whilst spending time on the bank side. Rest assured, this is not just another glory book of ‘look at me holding another lake record’ influenced by nothing more than lbs, ounces and self-gratification.

For those who know me, my time is limited through various commitments, therefore it is imperative I enjoy my art and for those reasons I have stopped taking on commissions of subjects I don't connect with. I believe this is quite a natural progression for many artists, and fortunately I don't have to pay the mortgage from my work, so without this pressure I have the freedom to enjoy what I do. This year I have been asked to illustrate for a number of books, but getting involved with ‘The Sweetcorn Kid’ was something I dearly wanted to do. It's all about the passion for me and that's what is evident about Stu and his angling...beaming smiles with every shot, enthusiasm for his venues and tackle, appreciating all fish regardless of size and stopping to marvel at the flora and fauna along the way. That's the essence of angling right there and it’s why I have always been a lifelong fishing addict. For too many anglers these days it's a job....and nothing is more obvious than a deadpan look while holding another carp like it's another day at the office......well deal-me-out and ‘stop this ride because I'm getting off’. The day the passion is dead I'm taking up golf!

I won't go into any more detail regarding the book and I don't do cheap plugs....but if like myself, your passion is for the things I have mentioned above, then go buy yourself a copy. Along with Stu's great storytelling, he has this inherent ability to capture an image with the camera....I have other friends who are gifted at taking pictures and it's purely a natural either have it or not! With every turn of the page you will be spellbound by the images which complement this book greatly. Beautifully written words enhance the visual element of the images and art, enabling you to break through the meniscus into angling heaven, and this is where my part is played in this wonderful book.

Stu requested at the beginning that the 22 chapters were to be accompanied with a drawing....treading carefully with his words knowing it was a huge undertaking for myself, and not wanting to be cheeky, well let's just say that the final count amassed 45 drawings (the fact he has a grip like Giant Haystack's had nothing to do with it, honest). It was important for me that the illustrations connected with each chapter, not just a random image with no meaning. I started by reading each chapter and when images jumped from Stu’s writing into my imagination, I would scribble down ideas and combine these with input from the man himself. Eventually, after bashing ideas back and forth, we managed to come up with the chosen drawings. Stu was very keen on the idea of ink drawings, preferring black and white images over graphite pencil or colour, and also being heavily influenced by some of the past great angling books and his own hero's! With this in mind I wanted to try a new technique and use ink on white scraper board, i.e. the one used by "BB" himself, and another of my favourite artists Charles Tunnicliffe. The surface is not paper but card with a very thin coating of china clay applied to the surface. This allowed me to both illustrate in ink pen and apply ink washes with a brush to the surface, but the magic is created by scratching the surface with a sharp implement to remove specific areas of ink and reveal the white under layer. Whilst this is not so obvious to many (thinking it's just ink on paper) it allowed me to develop very fine detail in areas that can add a third dimension to the work. Even though it's a very old technique that some of the great illustrators have used extensively in the past, I very much wanted to add my own style after finding some of the older works a little one dimensional in some cases. Hopefully you will enjoy what I have put together and if it encompasses Stu's written words and enriches the book, well then I have played my part well!


Most of the works will be available to buy, I will add a few to this blog to give you an insight of the pieces, but in the meantime if you have any questions please feel free to contact me via the blog email or from my Facebook Art page ( Adam Entwistle British Wildlife & Angling Artist).


All works are ink on A4 White scraper board; they will be double mounted along with backing board ready for framing. Priced on average at £120 each, with some of the more detailed works £150 and smaller pieces £90. Each piece is totally unique, with no prints or reproductions available they will become small collection pieces in the future and hopefully grow in value.


Just to kick things off the finest fisherman of all........

Monday, 18 July 2016

Darwin's Theory

Blogs have been thin on the ground this year due to primary work pressures leaving me less time to concentrate on my art. On a positive note I did not let my artwork slip and have been enthusiastically beavering away in the background honing my skills. I have however completed 5 large drawings this summer for a property company in London, who are looking to base their advertising around birds of the Galapagos Islands and Darwin’s voyage of discovery. I was reluctant at first to take the project on because of the non-British species, which are my passion. Having loosely studied Darwin in the past, I whole heartily agree his findings provide us with an understanding of the basis to life on this planet. Charles Darwin was an English naturalist who whilst embarking on a 5 year voyage around the world, diligently studied the rich flora and fauna that culminated in his ‘Theory of Evolution’. If you have not read "On the Origin of The Species", and are averse to deep religious doctrines, it’s a must to for explaining how each species has adapted over millennia to evolve from basic living organisms into complex animals like ourselves. This he called ‘Theory of evolution by natural selection’.  Regardless of whether you agree, it is certainly thought provoking and if you look closely, you will see it is mirrored in every corner of the natural world. On this premise alone I thought it was worth the effort. While voyaging, Darwin discovered the Galapagos Islands and noticed how the islands Finches had wide variations in beak and claw size, which had adapted to the local food source. This became the basis for his work and the Tanager’s Finch (Oreothraupis arremonops) was named after Darwin, becoming known as ‘Darwin’s Finch’ and one of the subjects that would be the main focus of the project.

With only 3 weeks to produce 5 detailed A3 size Graphite works, it was no mean feat, so alas, day & night it was to be if I was to stand any chance of completing on time! The project was clearly defined and the design team knew exactly what they had in mind. After a few email discussions and rough sketches to outline the pose of each subject, I started with the first bird - the Blue Footed Booby (Sula nebouxii). As comical as the name is, please take a look at any image of this bird and its clear to see why they should be a child's cartoon character! Its hilarious walking movement reminds me of a sergeant majors frog march, combined with a gannet-like head and bright blue webbed feet; they are a curious work of nature.

After studying video footage to obtain the character of the species, I set about depicting one stood on a rock boulder, which seems a favourite pastime of this bird. I wanted to capture the ‘colour without colour’ which is an oxymoron in itself,  but by emphasizing the tones in graphite I hoped to achieve a balance that would display the bird in all its glory – a lot to ask from a basic pencil!

Second on the list was the Greater Flamingo (Phoenicopterus roseus), a bird I'm sure you have all seen at wildlife parks and zoos. A regal bird of elegance and beauty with its stunning salmon pink coloration, and unique bill designed for filter feeding in shallow lagoons, it is like no other bird on the planet. Its long slim legs are designed for wading in water whilst keeping its body clear of the surface and they move like dancing ballerinas......but once again, I had to depict this beauty without colour, so bold shadows and highlights where required to breathe life and depth into the bird.

Next on the list was the Great Blue Heron (Ardea herodias) which is virtually identical to our Grey heron (Ardea cinerea). Apart from a few slight colouration differences on areas of its feathering and legs, you can see the very close resemblance, so I had no issues drawing this one. Whilst it retains the typical Heron stance when stood still, flying or hunting, it certainly lives up to its name as its 4.5ft tall with a huge 6.5ft wingspan!

The 4th species on my list was by far the most difficult to draw - the Magnificent Frigate bird (Fregata magnificens). To look at, it’s a very unusual bird indeed with its marauding hawk-like flight and long forked tail and scimitar wings. Black in colour with a slight oily sheen, they snatch prey from the surface of the water and do not dive like other species. Its beak is a very sharp hook designed to aid in the catching of its prey, and combined with an 8 foot wingspan, it is a master of the air. It also has a very dramatic courtship display with the females flying overhead in search of a mate, while the males remain perched on a branch inflating a football-sized blood red neck pouch. It has a strange looking fleshy air sack that is almost heart-like in shape, looking somewhat perverted (maybe that's just my obscure imagination). Either way, a quick look at any photo reference and you can clearly see this defining scrotal feature which was a damn pain to render in Graphite! As a thin membrane of skin covered in small veins and akin to a party balloon, it is the one feature I knew of all the species that would test my patience and skill.

With the 4th piece now complete I was looking forward to the final subject, the one bird which exemplified Darwin's work, so I dearly wanted to do it justice. Replicating Darwin's own drawing of the Tanager's finch (one of 13 in the family), I also wanted to present the bird in a more accurate fashion than the original work, whilst retaining the heritage of his most famous subject. Hours were spent researching and taking cuttings of plants that would represent the bird’s ideal perch. I completed the final drawing just within the allotted time frame and was more than happy with my attempt. I hope you have enjoyed this blog; it is of greater magnitude than my small existence. In the process it has taken me on a voyage to understand Darwin's work a little more, and appreciate how the way we view the world today is based on this one man's theory.


All drawings completed in Graphite pencil on A3 sized, slight cream toned paper to give a more authentic feel to the works.


Strict copyright on all images.


My next blog will be based on kingfishers in watercolour and a fishing book project containing 25 chapter drawings, which has been a privilege and very enjoyable too!


Saturday, 20 February 2016

Curlew Walk

I received an email last week from a good friend who is more than a dab hand with a camera! We had been talking about all things bird related and he forwarded on some lovely Curlew photos. I know I can say this about many birds, but this species is one for which I have really fond memories. A lady named Mary Colwell-Hector is using the images mentioned, as she is currently in the process of raising funds to highlight the plight of the curlew another iconic species that has been placed on the red list. I looked into Marys campaign and soon realised this ladies passion for the Curlew, as she is soon to embark on a 500 mile fund raising walk from the east coast of Ireland to the east coast of England. Yes, thats right, 500 miles is a long way indeed for anyone to walk, and this prompted me to put pencil to paper to try and help in someway.


The family business is currently very hectic, however I have managed to set time aside each evening to put together 3 drawings based on these fantastic Curlew images; 2 in ink and 1 graphite. By my reckoning, if someone is prepared to go to those lengths to help raise awareness about the Curlews predicament, the very least I could do is show some support.


The Curlew is just one of many birds that are in decline and its numbers have dropped by 90% in the last 20 years in Ireland alone. That is a staggering figure indeed, followed by an 80% decline in Wales and a further 50% throughout the rest of the UK. At this rate it could be lost for good if no measures are taken to help in someway. Some might say so what, its just another brown bird on a long list of animals that are in danger world wide, but sometimes we have to look closer to home, because these once common birds could be pushed to the point of extinction. What we dont understand, we wont help preserve. Its not all about Rhino, Elephant and big cats yes, they are equally deserving and require protection for future generations; however, its the call of the wild closer to home that pulls on my heartstrings. Species I have seen with my own eyes and observed in their natural habitat will understandably resonate more personally. The Curlew is a bird that takes me back to the wild expansive hills of the Derbyshire Pennines. Its call is like no other bird in the British Isles and I clearly remember the first time I heard its song many years ago in late May a haunting signature, rising and drifting over the moors on a warm wind. Its a call that is almost impossible to render in words, but it begins as a succession of low, drawn-out liquid notes, that build momentum slowly into a loud high-pitched crescendo of bubbling trills. It truly is an evocative call that once heard you will neither forget nor mistake with anything else. I know a small area of moorland where a few pairs faithfully return each year to nest, and have observed them many times on their breeding ground whilst sat amongst the heather with flask, binoculars and sandwiches at hand, listening to the Bilberry Bumblebee (another declining species) buzzing over the heather on a warm still afternoon. Around me the male Curlew calls to the female, all the while acting-out his display flight, with the pair enjoying the solitude of the wild moors far away from the disturbance of man.


The Curlew is the UKs largest wader, a tall bottle shaped bird with typical long wader legs and a very long curved bill, which is used for foraging earthworms, molluscs and crustaceans in soft coastal mudflats and moorland peat bogs. Its primary colour pattern is pale beige interspersed with chocolate brown streaks over the crown and nape, then progressing along the mantle and breast, terminating with a white rump and darker tail. What the Curlew lacks in bold colour, it more than compensates with charm, gracious contours and the most beautiful feminine facial features. With long strutting legs, they stand boldly upright and give the impression of a catwalk supermodel. They are a timid bird, shy and wary, and tend to take flight if approached; flying high with a slow wing beat that often planes for some distance before landing. They can be gregarious outside of the breeding season, grouping in flocks near shorelines and estuaries, but will move inland during periods of high water.

It would be heart breaking to lose a bird that has inspired generations of writers and poets, along with naturalists and hill walkers alike. Anyone who has had the pleasure to observe this unique bird will surely understand it deserves all our attention. So what can you do? Its not just a simple case of sticking your hand in your pocket, we have a million and one charities for all manner of subjects, which try to pull on your heart strings and encourage you to donate. Forgive my cynicism, but I do sometimes wonder how much reaches the intended target, but as you have read this far, I will ask you to take a minute to read Marys page and make up your own mind. If you think it is worth donating to help what I think is a very worthy cause, then let me put it into perspective - the price of a pint these days, along with fish and chips will cost you a tenner, so save your waistline the pain of those extra calories, and give both Mary and the Curlew a much needed boost to which only good can prevail.


The 3 drawings I have put together will be donated to Marys cause and auctioned to the highest bidders. You will effectively be donating 100% of the funds to the project. In turn, you get the chance to hopefully enjoy a piece of art that displays the charm of this charismatic bird.


I really hope this blog strikes home and highlights the Curlews current dire situation, but perhaps more than that, it makes you appreciate some of the finest flora and fauna the UK has to offer. Best of all it is right here on our doorstep, so as spring approaches, pick-up your binoculars, get out, and blow off those beats daytime TV any day of the week!


Thursday, 4 February 2016

The Keeper’s Nemesis

I have just completed a life study of a dead Jay, I know, that sounds macabre, but it’s a subject we can all relate to, life & death. As a young lad growing up exploring the countryside at every available opportunity, I was always fascinated by anything I found dead on my travels. Those creatures ranged from shrews to dead birds, or black & orange Sexton beetles feeding on carcases that the keeper had strung-up on his gibbet! Just like a criminal investigator it would provide me with the chance to analyse the scene - most of the time very quickly and instinctively for clues as to why it had died...which is all exciting stuff as a young lad. You never really get the opportunity to admire those fine details of an animal or bird until its up-close and personal. Yes, I have seen the Jay a 1000 times with its slow rowing wing beat as it passes from one tree to the next, never straying too far from cover, or that distinctive harsh raking call, but to admire its beautiful plumage in your hands is something else. Personally, I think they are by far the most beautiful corvid family member, with an array of bold colours that somehow seem to blend into their surrounding environment. The Jay has a black moustache and white throat, and a speckled crown that can be raised like a crest when excited. Its underbelly and flanks are painted with subtle salmon pink and cinnamon hues, whilst a white rump and (almost) black tail finish off with bold blue, black and white barred wing coverts that make for a really stunning looking bird.
Like all other members of the corvid family, it is very intelligent too. They are great mimics and I have heard them on many occasions perfectly copy Buzzard, Crow and even Goshawk calls. They have a habit of hiding acorns in the fall just like a squirrel, the term is ‘caching or hoarding’ which stems from the French word ‘cache’ which is ‘hidden or hide’. The key difference with the Jay is it possesses a more accurate memory, which helps when retrieving the acorns later in the winter period; unlike the squirrel, which seems only to locate a percentage of its treasure!

You do hear Jays calling to one another as they skulk from cover to cover, but rarely do they sit out in the open for long periods like the Crow or Magpie. The latter will happily walk an open field for long lengths of time looking for all manner of food items. I think because of the Jays secretive nature, its general habits go unnoticed by the public. Everyone knows what a Crow or Magpie looks like, but the habits of the Jay make it more inconspicuous. The first time I found one of the blue-barred feathers, I stuffed it into my pocked and rushed home to show ‘Dad’ this exotic parrot feather I had found! As a youngster this first encounter left me feeling perplexed as so few British Bird species have blue feathers at all. These natural little jewels have been highly prized for fly tying, and many a trout angler would have something in their fly-box that would contain the magic blue feather of the Jay. It was also common practice to see one worn in the headband of a countryman’s trilby.


During early part of the 19th century the Jay (like many of the corvid family) was culled by Game Keepers countrywide, not just for game bird egg and chick predation, but they will happily consume all manner of other birds offspring with gusto. I have watched individual birds locate the nest site by watching the adult bird give the game away very easily when to-ing and fro-ing to the nest with food for their chicks. When a victim bird is incubating her clutch, the male, depending on the species, will sometimes sit close by quickly changing over at dawn and dusk to relieve the female of her duties. This is the time I have watched Jays with my binoculars waiting very patiently to pinpoint the site, only to swoop in and raid the nest like a perfect high street robbery, all in what seems like a split second moment. If unsuccessful they will return daily until they have fulfilled their mission. I know some will say “well, that's nature” and to some degree that is the case, but with the current scarcity of many top apex raptors/carnivores, this has created a significant rise in mid-level predators/opportunists. Like other members of the corvid family, this is one of the reasons they are so abundant in the UK. They have adapted well to life in towns and gardens, living in close proximity to humans; their success has allowed numbers to steadily rise. Keepers were well aware of the Jays behaviour, but would also remove raptors at the same time, so maybe it was counterproductive to some degree.


I hope this gives you a little insight into the Jays behaviour, and if you look around any local park or large garden, or deciduous woodland or old hedgerow, you will be sure to observe one with patience. Listen out for that screeching alarm call as they communicate with each other, not too dissimilar to a pack of arboreal mobsters.


Love or hate, it’s a beautiful bird that has been part of the British landscape for millennia and last autumns acorn planting sessions will mean the Jay efforts will help germinate more oak trees than all the UK human population put together, now there’s a thought.


Drawing is life sized and in Graphite pencil.


For Sale £200


My next post will be all about a predator of real power, agility and that was traditionally regarded as the top woodland hunter and kept the Jay numbers in balance.


Thursday, 10 December 2015

The Crucian Carp

Well this post concludes with the last drawing in the ‘Andrew Field’ Float collection, and I really pushed to complete it before Christmas. It’s been very enjoyable working on these pieces, and a challenge to try and present both float and artwork in a manner that is complementary, yet balanced in the frame. I want to say big thanks to Andy for all your help and support, it’s been much appreciated and I look forward to putting a couple of special works together for your own collection buddy.

Whilst I am offering thanks, I also want to doff my cap to another couple of people who offered support with this piece, one being Vinny (a fantastic writer) who runs his own blog ‘The Northwest Fisherman’, and is a gentleman to boot...check him out. Second is no other than Stu, aka The Sweetcorn Kid, who needs no introduction with his stunning writing and angling exploits - and the Can of Jolly Green is for you my friend!

Last but not least is Chris Turnbull, a gifted artist and writer with a phenomenal skill for gathering enthusiasts to work collectively and make angling a preserved sport for the future. He is a member of many angling associations and has spent a huge amount of effort forming the ACA (The Association Of Crucian Anglers) which has already in a short space of time started to form a plan that is helping this fish become established once again. Many clubs and individuals are now setting up fisheries with the sole intention based around this fish; what an achievement and success it will be for the future, well done Chris.

This collaboration has been an exciting opportunity, but as this chapter closes, so a new one opens and I am already looking forward to lots of new projects for 2016!


The final piece in this series is based on the lovely Crucian Carp, an endearingly shy fish that seems to thrive in waters that contain few mixed species; especially the King Carp, which is far to bold and dominates the Crucian, which subsequently suffers from its intense competition. In my experience, most farm ponds that hold a healthy stock of Crucians are relatively small in size and contain Rudd and perhaps a sprinkling of Tench, often with little else. The Rudd feeding in the upper layers tend not to impact the Crucians feeding strategy, so they live in perfect symbiosis. Their very nature is one of timidity; hence, they are also prone to predation from large pike and cormorants, and perhaps increasingly, otters too. Maybe that's why they favour those little overgrown farm ponds because cormorants are more suited to a large body of open water, leaving this shy chap to live life on his own peaceful terms.

On the contrary, if the habitat is suitable, he is a tough little bugger than can withstand some of the lowest oxygen levels of any known fish in the world. I have caught them on a park lake that was almost completely silted up with no more than 12" of water at its deepest point, leaving me to guess how they survived a cold winter when the lake froze solid.

They can also breed like rabbits which can become their downfall in a small pond because they end up stunted with so many small fish surviving, leaving little room for adults to continue growing.

My first encounter as a young lad was on such a pond; I remember vividly those shy bites on small pieces of bread flake that I could not connect with. I would fine the tackle down by reducing the mainline and hook size, along with a much slimmer float to minimise resistance...did it help, did it buggery. I started to align the float against shadows on the water cast from the overgrowing Alder trees around the pool, and on most occasions the float would drift ever-so slightly left or right without dipping a 1000th of a millimetre – strike…. and one of my fondest memories would we this little "bar of gold" spiralling round and around slowly corkscrewing to the surface from the dark depths of the pool, and the tell-tale rattling of the float against the shot on the mainline confirming it was a Crucian!

Some of the larger fish (no bigger than 12oz) from the pond would always give the impression of age, a dark tea stained back making way to a deep copper/gold flank like an old bronze statue. Combined with his delicate upturned mouth, it gave quite a ‘grumpy old man’ facial expression...but what a delight and fish to hold, nothing other than a big Rudd can shine like a Crucian Carp and a make young fish look like a freshly minted coin. With a buttery gold flank and orange coloured fins, nothing can brighten a dull day both in hue and spirit.

I have never landed a large one and it’s definitely top of my hit list. I knew of a water in Oxford that contained no more than 3 very old fish, along with massive Roach and Rudd which I was targeting. Those dinosaurs were the last remnants of stock that had managed to survive against all odds; however, they were no longer reproducing to kick-start the next generation. I managed to glimpse a pair that came into my swim while float fishing for Rudd, staying deep in the water with the Rudd taking casters on the drop. These fish slowly slid over the free offerings in 5 feet of gin-clear water, moving ever so slowly mouthing the odd caster, then evaporating before my eyes, that was the closest I ever came to hooking one, but a friend was lucky to have a chance later in the season with his old dark fish breaking the 4lb barrier! A true giant of the fish world.

I also came across a dead one in the margins of a beautiful old estate lake I used to fish, and to this day I would not like to hazard a guess at its size, all I will say is I have never, and probably will ever, see anything like it again.

This brings me to the Artwork which I have tried to amalgamate some of the elements I so lovingly relate to with this fish. I wanted to base the main image on a true old survivor, a fish that had seen the ebb and flow of many a season, and depict with a few missing scales and that aged dark oak barrel patina we all love. No other fish deserves a more traditional theme so I wanted the main drawing to look like an old taxidermy mount, a bold side view of the full flank displaying his beautiful contours and convex dorsal fin. That classic rounded stubby tail fully open...pausing in an upright position while mouthing his single grain of sweet corn like a spider monkey with a date.

I wanted the complementary drawings to finish more sketch-like and not as detailed, thereby offering a subtle suggestion of memories, fish lay in the fold of the landing net ready to be returned, my ever faithful ‘salter spring balance’ which composes the picture, and is the perfect size for comparison.....though crap for recording accurate weights, but I guess the weight is sometimes irrelevant. A can of Jolly Green Giant has always sat by my seat box when fishing for Crucian and I wanted to add a little modern twist to the traditional theme of the piece.

Andrew had made some stunning floats from old reed stem which had the most perfect pattern and coloration that reminded me of this fish. I asked if he could make me a float from the reed which looks absolutely perfect in its matching frame and bronze coloured mount edging.

I feel sad to finish this collection now, it has brought back many fond memories, which I hope others will somehow relate to, but for now, it’s time to put my pencil down, enjoy the festive cheer, then prepare for spring and the New Year ahead.


"The Crucian" is for sale priced at £450 and the overall size of the piece framed is:590 mm x 790mm


Enjoy the Christmas period, stay happy, healthy and look after the ones you hold dear.


Merry Christmas

Adam Entwistle


Tuesday, 17 November 2015

Lure Of The Float

Well this collaboration with Andrew Field “master float maker” has been ongoing for the past few seasons. There are many reasons why it's been postponed, all on my behalf of course, but sometimes you cannot rush a good thing! For this project I set myself a total target of 8 pieces, with 6 completed and ready for sale, the final two will follow very shortly. Each piece is a totally unique design and covers 8 different UK coarse fish. The aim was to capture all the finer characteristics of each particular species and express a clear angling theme that runs through each piece. The framing has been important too; I wanted to display each piece to its full potential and appeal to avid collectors seeking a bespoke piece of artwork. The floats are all Andrews stunning work, hand crafted with his signature detail and finished to perfection. Some of the floats are inlaid with bird feathers and luxurious threads, each signed by the man himself!

My passion for all the fish that swim UK waters stems from childhood, and for each species I can only heap praise, not just in their obvious beauty, but also by knowing the characteristics of each fish that are only learnt through experience. Getting to know their inherent behaviour, which includes habitat preferences, can only make you a more accomplished angler. Spending a lifetime by the waters edge, I have managed to tuck a few tricks up my sleeve to help dodge a blankety blank cheque-book and pen!

My art has fuelled my passion for angling even further, and has provided me with an additional excuse to talk fish on a cold winters day, when gracing the bank is not possible. So if you don't find me on the riverbank, you'll find me in my study where I am surrounded by all manner of objects from the natural world. In fact, these days is has become more like a small natural history museum.

One of the joys of my artwork is taking a pencil and breathing life into a blank piece of paper. It fascinates me that you can bring life to a pencil line through close observation of the fine details of scale patterns, fin shape and anatomy; even the iris shape of individual species exhibits distinct differences. Learning to observe these subtle nuances gives me more of an insight into the aquatic world, and helps me appreciate the inherent beauty, colours and shapes. Knowing your subject from touch and experience is the key, and this knowledge cannot be replicated from only reading books - you have to feel that passion to portray it through your work, and hopefully this is what I have achieved with each piece here.

If I had to choose a favourite fish with only one last cast at my disposal, I could not, I genuinely love each of them for many reasons and they are all intertwined within dreams and memories, past and present, which in my opinion no other sport can replicate. The mighty perch features in two of the works and this is a perfect opportunity to mention a fishing trip early in the year with Sam Edmonds and father Gary (who I called Paul all day until corrected, whilst we sat removing wellies at the car boot at the end of a great days fishing, what a prat I felt!). Pardon the pun, but this is not a cheap plug, on the contrary, it is more out of admiration for two of the most genuine people I have met for a long time, and damn fine anglers to boot. This deadly duo have caught more big Perch than any other I know, showing incredible skill season after season, which is why they are part of the national predator fishing team.

It was a mild damp February morning when I met up at a secret fishing location and was greeted by the Edmonds team. The weather had not been ideal, with plenty of floodwater gushing through the river, which was always going to make lure fishing for perch less than perfect. Fortunately, these guys had plenty of experience at hand and we set off armed with all manner of lures and jigs to hopefully entice a take. We covered huge areas of the river, spots the guys know well and hold fish over the 4lb mark, but takes were hard to come by. Each of us used slightly different tactics and even with the chaps putting me in proven areas, we could not tempt a pluck on the line. After lunch, we moved location to where two rivers merged and coincided with a line of moored boats, which down-stream created slack water that would hopefully hold fish. Sam was the first to strike with a fish hitting his rubber jig no less than 4 yards from his feet on the retrieve, but with a cursed word and the line falling slack, the hook had not set-home. We continued to work the area in a grid fashion until Sam once again connected with a fish close to the near bank. It was all over so soon with the fish in the net and three excited faces peered down like children on Christmas day. It was a good fish and we all new it... hoisted onto the mat we unhooked the prized perch, an old fish with dark coloured flanks that looked slightly tubby, but it bounced the needle to 3lb 15oz! Wahey it was the first fish of the day and an absolute beauty.

 After pictures of the prize were taken, it was time to move again to a section of river further upstream, which Gary was hoping would not have been as affected by the flood water. The river here was twisting and turning back on itself, snaking serpent-like across the flat landscape and offered some deep slow pools on each bend. The guys had taken many good fish from this stretch and Gary explained to me exactly where I needed to cast “over there Adam to the far bank under those large overhanging weeping willows”, and by the second cast I felt life for the first time that day. The line sent a signal straight through the carbon in my hand like an electric shock and instinct kicked in with a knee jerk reaction as I struck and set the hook home. Once again, a bold stripy was twisting and turning mid-river and I prayed the fish would not shed the hook. Yes, she's mine I said as a much paler fish slid into the fold of the net, saving a fishless day for myself and making it so worthwhile. On the scales she went 2lb 8oz so I was very pleased indeed... a quick picture and back she went while all 3 of us tried to make the most of the fading light by covering every nook and cranny by spreading out over a 50 yard stretch. Just as the sun dipped, signalling only 30 minutes of fading light, I had a savage take on the drop as my crayfish-type rubber lure was smashed as it fluttered past a dying reed bed along the far bank. This time the fight was much more spirited with a jack pike of around 6-8lb gracing the bank. What a fantastic day, happy memories and great company, and even though Gary did not manage a fish, in all honesty his fishing ability outclassed myself 10 fold and he even showed young Sam the Old Lion still had the touch. His casting was pinpoint accurate every time; and I mean inch-perfect presentation under every overhanging tree or bush, near and far. However, on the day it just was not meant to be, but Gary even allowed myself first cast in chosen areas over himself, which highlights the gentleman he is…. so thanks guys, it was a memorable day indeed.

Fuelled with new inspiration for Mr. Stripy, I started to put the perch piece together with a clear vision in my mind of this sneaky predator lurking in the murky water waiting to strike!

                                                                    "Perch Bobbing"

Perch piece matched with a pair of Porcupine quill & Cork Bobs. (SOLD)

I will let the pictures speak for themselves, everything from the humble finger long Minnow, to the greatest Roach of them all "The Avon Roach" and a bold extravagant perch constructed from spike and armoured scale, to what may be the catalyst for many anglers, the Gudgeon... they all sit alongside a float made fit for fishing purpose. I hope you enjoy them chaps; a lot of love and attention has gone into this unique collection that will not be repeated again.

                                                                        "Winter Magic"

A large extravagant piece depicting my 3 favourite winter species alongside 3 of the finest floats I have had the pleasure to hold!! (SOLD)

                                                                  "The Redmire King"

                      Gudgeon study piece accompanying a pair of stunning quill floats.(SOLD)

                                                                 "The Avon Roach"

 Main image is a pastel & graphite drawing alongside other images of the Roach and a beautiful Avon float made from quill & cork, inlaid with pheasant feathers.
Price  £449 Professional mounted in a brushed steel frame.

"Green & Gold"
A Tench piece nearly a meter in length with an elegant lift float mounted at the top of the frame. SOLD
Boyhood Dreams
Another mixed species piece covering Gudgeon, Tench, Perch & Minnow. This was inspired from days fishing as a young boy, chasing dreams & monsters. A small quill float accompanies the piece.
A further Crucian carp piece to follow soon.

If you are interested in purchasing any of the works that are still available or require more close-up images to show the detail & sizes, please feel free to contact and I will be happy to help.

I hope you enjoy them. tight lines this winter.

Thursday, 22 October 2015

Mr Mole


A mole is a creature we all know as being depicted in children's books many times and kicking over their piles of fresh dark soil that appeared on the school field overnight was a regular pastime for myself, but few people have ever seen one. Adapting to a life in the dark, its eyes are virtually none-existent, relying totally on his nose to find juicy earthworms, huge front paddle shaped hands with long sharp nails, tiny hind feet and the cutest rounded bum, shaped like the end of a plum tomato with a short stout tail stuck on the end, covered in bristle type black hair that looks pig-like even though its not curly.

As a young lad I had never seen one dead or alive until the old man had brought one home he had found dead while out walking with the dog. Being a proof-reader for a national newspaper he had taken the animal to work in the morning to show the old boys who were all stooped in long lines over wooden bench-desks, huddled under a reading lamp with plumes of smoke rising from either a fag butt or pipe hanging out of their mouths, filling the dark room with a rich aroma of tobacco and printers ink. Of all the men present that morning not one could name the animal which is hard to believe, all manner of remarks thrown at the old man " it's your lads pet hamster" or it's a rat or mouse, but these city men were born of steel & brick, never breathing or visiting the countryside, preferring the men's social clubs for contraband over a country walk!! So home the mole came, so we could all ponder over its tube-like body shape, fur so fine and soft which could be brushed both ways like a fine tailored suede jacket. Where are its eyes dad? how can it find food?, do they bite? the questions coming thick and fast, can we hold it?, does it smell?, let's put it back in the ground for its mum to find, the memory remains vivid, an animal of the underworld brought to life for the first time.

This summer we have had a mole in the garden, throwing mounds of fresh soil daily, but not once has it ever been an issue. Never one for wanting a perfect manicured lawn, the lawn mower only spreads the soil around anyway ready for him to make a new one the following day!! I feel privileged to know they are here, well before we looked after the land and here when we leave, so Mr Mole does have his right to this patch, so for the vanity of a bowling green lawn you can keep it.

Moles have been trapped for generations for many reasons, the old trappers would use a manual mole trap which would be set in a mole run, killing him instantly and they would be paid per mole. The poor creature was not wasted, with his fur being used to make clothing from trousers to hats. These days gas or poison is used , which for me shows complete disregard for an animal that is viewed solely as a pest, a menace to the modern garden, but sometimes it pays to stop and think about his role in nature, surely a quick rake or letting the children kick the mole hills around is better than a sterile lifeless garden that is more suited to a city lifestyle than a country one?

So one sunny evening I was walking back to the garage with one of my young sons when right in front of us the ground started to rise with fresh, dark soil bubbling up, we both paused, frozen with fear of banging our feet sending him back into the abyss. By pure chance a spade was leaning against the garage wall, so without lifting my feet I lent over grabbing the spade, waiting for the next arrival of topsoil. Now I have heard of this technique before but timing is crucial, too slow and you miss him, too fast and you cut the poor mole in half, so I waited until the earth started erupting again and he came to the surface pushing out more soil and making a new underground tunnel linking one bypass to another. "He's coming" whispered Lucas, "wait for it" I said , then I thrust the spade deep into the earth as far down as I could force in one motion, scooping at the same time to hopefully bare the prize. At first all we could see was a pile of earth, but as we rummaged through the spade-full of soil there he was!, frozen and exposed to the bright sunshine, he remained so still, almost as if he was trying to hide. We picked him up and put him inside a bucket for a brief minute, allowing myself time to explain to Lucas what he was & why he was there.

Of all his adorable features the two things that struck me most was the immense power and speed, it completely shocked me how fast he could shuffle, & I mean turbo fast!! His power was incredible too for a creature of this size, being one of muscle and limbs he set off like a scalextric car across the lawn, across the gravel drive and literally upended and tore through the gravel like some earth burrowing robot in a kids cartoon. I could not have dug that fast with a trowel, and we both still laugh how fast "Turbo" mole disappeared, it boggles my mind to think how he did managed to evaporate in front of our eyes, through a bone dry gravel parking area, back into his underworld, unbelievable!.

Mr Mole really did leave his mark on Lucas and myself, so that night I decided after the encounter to draw him, it's not easy drawing an animal that has no obvious hard lines or contours, just a sausage shape with a sticky out tail , rubbery long snout and huge front baby pink hands. I decided to depict him when he first froze in the daylight, with a strong cast shadow from the sun, adding a little colour to his hands, feet and nose.

I hope you like this endearing little creature, you may never get chance to see one, but hopefully this drawing brings one to life in your thoughts.

The drawing is for sale £100. (actual drawing size is 190mm x 80mm


A.J.E Artwork copyright (R) on all images on this blog.